Skip to main content

Eddie's Own Aquarius

Eddies’ Own Aquarius is a special issue of the legendary poetry magazine put together by Constance Short and Tony Carroll for Eddie Linden’s 70th birthday. It features contributions from a host of English, Irish, Scottish, Welsh and Americanpoets including Dannie Abse, Sebastian Barker, Seamus Heaney, Leland Bardwell, Dermot Healy, Alan Brownjohn, Robert Creeley, Anthony Cronin, the late Michael Donaghy ( who threw a party for Linden’s 60th birthday and whose idea this tribute was), Paul Durcan, Elaine Feinstein, Pearse Hutchinson, Joy Hendry, Alan Jenkins and John Montague. Handsomely produced, it also contains photographs and paintings, essays about Eddie Linden, and some of his own poetry, including his well known ‘City of Razors’ :

Cobbled streets, littered with broken milk bottles,
reeking chimneys and dirty tenement buildings,
walls scrawled with FUCK THE POPE and blue-lettered
words GOD BLESS THE RANGERS.
Old woman at the corner, arms folded, babe in pram,
a drunk man’s voice from the other pavement,
And out come the Catholics from evening confessional;

A woman roars from an upper window
‘They’re at it again, Maggie!
Five stitches in our Tommie’s face, Lizzie!
Eddie’s in The Royal wi’ a sword in his stomach
and the razor’s floating in the River Clyde.’

There is roaring in Hope Street,
They’re killing in the Carlton,
There’s an ambulance in Bridgeton,
And a laddie in the Royal.



Sydney Bernard Smyth remembers Linden reading this in the bar of Murray’s hotel on Inishbofin at the Arts Festival in 1971:

‘The attendance was riveted. They understood immediately what this anguish was about. City of Razors made a startling impact.’

Sean Hutton’s essay, ‘In praise of Eddie Linden’ is a good introduction to the man and his work. The first issue of Aquarius came out in 1969 and it became an annual publication, with many special issues devoted to Irish, Scottish, Welsh, Australian and Canadian poetry, or to individual poets (Hugh McDiarmid, John Heath-Stubbs, George Barker and W.S. Graham. And there’s a slew of reminiscences about the man, his magazine and the Soho arts world that no longer exists. All in all, a worthwhile tribute and a great introduction to a fine literary magazine for those who might have missed it first time round.

Eddie’s Own Aquarius. Compiled and edited by Constance Short and Tony Carroll. Published by Cahermee Publications. €25. Book orders: constanceshort at eircom net.
ISBN -10: 0-9551584-0-0
ISBN -13: 978-0-9551584-0-7.

Comments

Anonymous said…
Eddie's Own Aquarius is available from Word Power Books http://www.word-power.co.uk
danlodog said…
This is a wonderful tribute and compilation in poetry, prose and art to one of London's more eccentric of literary characters Eddie Linden. Eddie is the editor of the highly acclaimed literary magazine Aquarius whose volumes have been graced by some of the most renowned poets of the 20Th century

Highly recommended if you appreciate tributes in verse, some of the poetry is of the highest calibre and amusing stories too!

Highly recommended. Book available from Eddie, name and address to be found at:
www.spl.org.uk/search_spl/periodicals_list.html
Michael Dalvean said…
City of Razors by Eddie Linden scored 3.09 on the Poetry Assessor www.poetryassessor.com.

Popular posts from this blog

Songs of the earth (1): Yannis Ritsos

The Meaning of Simplicity
I hide behind simple things so you’ll find me; if you don’t find me, you’ll find the things, you’ll touch what my hand has touched our hand-prints will merge.
The August moon glitters in the kitchen like a tin-plated pot (it gets that way because of what I’m saying to you), it lights up the empty house and the house’s kneeling silence– always the silence remains kneeling.
Every word is a doorway to a meeting, one often cancelled, and that’s when a word is true: when it insists on the meeting.
(Translated by Edmund Keeley, published in The Greek Poets: From Homer to the Present, Norton, 2010)
Yannis Ritsos’ output as a poet was enormous. He published more than a hundred collections of poetry, and often wrote with great speed, sometimes producing three collections in a single year. Such protean fluency can interfere with the reception of a poet in his own culture, and it can also inhibit or distort the reception in translation. How do you choose? How much o…

Sway

My new book, Sway, Versions of Poems from the Troubadour Tradition, will be published by Gallery Press in October. This one is a riff rather than a version, taking as its starting point a line by the 12th century trobairitz, Beatriz, Countess of Dia.


Riff for Beatriz
Ab joi et ab joven m’apais

I feed on joy and youth    the rest
forget    all texts
abandoned     I feed
with joy     I feed on you or would
were you here    were I there
by the lake    in the wood    where the
nightingales are    I hear them
the buds along the branches roar
the frost withdraw    I feast on the season
that you may come to me
like light to the trees    I set
my pilgrim heart to roam
I am here   your loosened armour  your
Saracen hands   I feed
on spices and desert air
the rest is argument    discourse
the lines unwinding
the lines bound like the twigs of a broom
to sweep you away and pull you back
my dust is yours together we blow through the meadows
I was here but now
a stir of language in the trees     bird…